Find album reviews, stream songs, credits and award information for Chopin: Nocturnes - Maurizio Pollini on AllMusic - 2005 - Even for listeners who have venerated the piano. The lasting and exclusive relationship between Maurizio Pollini and Deutsche. CD51: Chopin - 24 Preludes, op.28; 2 Nocturnes, op.27; 4 Mazurkas, op.30; Scherzo no.2, op.31.
- 25-01-2019, 02:20
- 2019 | Classical Music | FLAC / APE | HD & Vinyl
Artist: Maurizio Pollini
Title: Chopin: Nocturnes, Mazurkas, Berceuse, Sonata, Opp. 55-58
Year Of Release: 2019
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 53:27
Total Size: 207 / 964 MB
WebSite: Album Preview
Tracklist:Title: Chopin: Nocturnes, Mazurkas, Berceuse, Sonata, Opp. 55-58
Year Of Release: 2019
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 53:27
Total Size: 207 / 964 MB
WebSite: Album Preview
01. Nocturne in F Minor, Op. 55 No. 1 04:37
02. Nocturne in E-Flat Major, Op. 55 No. 2 04:42
03. Mazurka in B Major, Op. 56 No. 1 04:30
04. Mazurka in C Major, Op. 56 No. 2 01:40
05. Mazurka in C Minor, Op. 56 No. 3 05:41
06. Berceuse in D-Flat Major, Op. 57 04:29
07. Piano Sonata No. 3 in B Minor, Op. 58 - 1. Allegro maestoso 12:24
08. Piano Sonata No. 3 in B Minor, Op. 58 - 2. Scherzo (Molto vivace) 02:31
09. Piano Sonata No. 3 in B Minor, Op. 58 - 3. Largo 07:39
10. Piano Sonata No. 3 in B Minor, Op. 58 - 4. Finale (Presto non tanto) 05:14
Frédéric Chopin made his name in the high-society salons of his native Poland and, above all, in the vibrant Paris of Eugène Delacroix, Victor Hugo and George Sand. His pieces for solo piano, often technically challenging, always enchanting, are in constant global demand today, especially when brought to life by a performer of Maurizio Pollini’s stature. The 76-year-old Italian musician has been in love with Chopin’s art since
childhood, a passion clear in his critically acclaimed recordings of the composer’s works for Deutsche Grammophon. Maurizio Pollini – Chopin, set for international release on 25 January 2019, embraces a lifetime’s dedication to the composer and complements Pollini’s much praised 2017 album, Chopin – Late Works, opp.59–64.
Maurizio Pollini, “the pre-eminent Chopinist of his generation” (Fanfare), continues his revelatory chronological re-exploration of the Polish master’s late works.
Here are the pianist’s latest thoughts on Opp. 55–58 (1843/4), including the B minor Sonata and Berceuse. “An indispensable album for all devotees of the composer or the pianist” (ResMusica) [review of Pollini’s “Chopin: Late Works”, Opp. 59–64]
'Pollini, explicitly recorded but with air around the instrument, opens with an aristocratic account of the Barcarolle (Chopin at his greatest) and continues with the Opus 59 Mazurkas, from which the A-flat is especially wistful (its endearing melody shaped perfectly) whereas the F-sharp minor is fiery, its knotty decorations made lucid.' (Classical Source) [review of Pollini’s “Chopin: Late Works”, Opp. 59–64]
Maurizio Pollini, piano
childhood, a passion clear in his critically acclaimed recordings of the composer’s works for Deutsche Grammophon. Maurizio Pollini – Chopin, set for international release on 25 January 2019, embraces a lifetime’s dedication to the composer and complements Pollini’s much praised 2017 album, Chopin – Late Works, opp.59–64.
Maurizio Pollini, “the pre-eminent Chopinist of his generation” (Fanfare), continues his revelatory chronological re-exploration of the Polish master’s late works.
Here are the pianist’s latest thoughts on Opp. 55–58 (1843/4), including the B minor Sonata and Berceuse. “An indispensable album for all devotees of the composer or the pianist” (ResMusica) [review of Pollini’s “Chopin: Late Works”, Opp. 59–64]
'Pollini, explicitly recorded but with air around the instrument, opens with an aristocratic account of the Barcarolle (Chopin at his greatest) and continues with the Opus 59 Mazurkas, from which the A-flat is especially wistful (its endearing melody shaped perfectly) whereas the F-sharp minor is fiery, its knotty decorations made lucid.' (Classical Source) [review of Pollini’s “Chopin: Late Works”, Opp. 59–64]
Maurizio Pollini, piano
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Maurizio_Pollini_-_Chopin_Hi-Res.rar - 964.2 MB
Maurizio_Pollini_-_Chopin.rar - 207.4 MB
Maurizio_Pollini_-_Chopin_Hi-Res.rar - 964.2 MB
Maurizio_Pollini_-_Chopin.rar - 207.4 MB
- 5-02-2017, 14:23
- 2017 | Classical Music | HD & Vinyl
Artist: Maurizio Pollini
Title: Chopin: Late Works, Opp. 59-64
Year Of Release: 2017
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: 24bit-96kHz FLAC
Total Time: 54:27
Total Size: 915 MB
WebSite: Album Preview
Tracklist:Title: Chopin: Late Works, Opp. 59-64
Year Of Release: 2017
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: 24bit-96kHz FLAC
Total Time: 54:27
Total Size: 915 MB
WebSite: Album Preview
01. Chopin: Barcarolle In F Sharp Major, Op. 60
02. Chopin: 3 Mazurkas, Op. 59-No. 1 In A Minor. Moderato
03. Chopin: 3 Mazurkas, Op. 59-No. 2 In A Flat Major. Allegretto
04. Chopin: 3 Mazurkas, Op. 59-No. 3 In F Sharp Minor. Vivace
05. Chopin: Polonaise-Fantaisie In A Flat Major, Op. 61
06. Chopin: 2 Nocturnes, Op. 62-No. 1 In B Major. Andante
07. Chopin: 2 Nocturnes, Op. 62-No. 2 In E Major. Lento
08. Chopin: 3 Mazurkas, Op. 63-No. 1 In B Major. Vivace
09. Chopin: 3 Mazurkas, Op. 63-No. 2 In F Minor. Lento
10. Chopin: 3 Mazurkas, Op. 63-No. 3 In C Sharp Minor. Allegretto
11. Chopin: 3 Valses, Op. 64-No. 1 In D Flat Major. Molto vivace
12. Chopin: 3 Valses, Op. 64-No. 2 In C Sharp Minor. Tempo giusto
13. Chopin: 3 Valses, Op. 64-No. 3 In A Flat Major. Moderato
14. Chopin: Mazurka In F Minor, Op. Posth. 68-No. 4 Andantino
Chopin has remained one of the staples of Maurizio Pollini’s career both on record and in the concert hall for more than half a century. Since completing his recordings of most of the major works (only the mazurkas were not covered comprehensively), his most recent Chopin discs have returned to parts of that repertory to explore it chronologically. After collections devoted to works with opus numbers in the 20s and 30s, the latest focuses on the last pieces from Opp 59 to 64. There’s the Barcarolle and the Polonaise-Fantaisie, together with six mazurkas, two nocturnes and three waltzes, and the unfinished F minor Mazurka Op 68 no 3 added as an epilogue.
It’s easy to understand why Pollini should have been drawn back to these late pieces, with their harmonic daring and structural subtleties. He gives a fascinating account of the Barcarolle, austere and detached, but also intensely focused, though the Polonaise-Fantaisie, one of Chopin’s supreme achievements, disappoints; there’s none of the rhythmic drive Pollini once brought to it, as if now he is too wrapped up in its formal innovations. For all its passing beauties, there’s a sense throughout the disc that he’s more concerned with what he is still discovering in the music than in communicating to a larger audience; it often tells us more about him than it does about Chopin.
It’s easy to understand why Pollini should have been drawn back to these late pieces, with their harmonic daring and structural subtleties. He gives a fascinating account of the Barcarolle, austere and detached, but also intensely focused, though the Polonaise-Fantaisie, one of Chopin’s supreme achievements, disappoints; there’s none of the rhythmic drive Pollini once brought to it, as if now he is too wrapped up in its formal innovations. For all its passing beauties, there’s a sense throughout the disc that he’s more concerned with what he is still discovering in the music than in communicating to a larger audience; it often tells us more about him than it does about Chopin.
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